85,149 Free Images of Hand Colored Etching

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis prints by søren l. lange in the statens museum for kunst statens museum for kunst søren l. lange ojibwa people ho-chunk

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Portrait of Xavier Bichat, Pierre-Maximilien Delafontaine, 1799

portraits of xavier bichat pierre-joseph desault

Mrs. R. Holdsworth, February 16, 1853

daguerreotype portraits of the united kingdom 1853 portrait photographs of women

Regent Street from the Circus Piccadilly, Robert William Wallis, 1828

engravings in the yale center for british art piccadilly circus

Portrait of the composer Carl Maria von Weber, Caroline Bardua, 1821

19th-century portrait paintings in the alte nationalgalerie paintings by caroline bardua

The tutu, (commonly called toot) in flower., Martha King, 1842

art in the national library of new zealand martha king

Chippeway Women, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Portrait of the Artist Konstantin Korovin, Valentin Serov, 1891

male portraits by valentin serov impressionism

The rock called Jon's Church in Ruth's Parish on Bornholm, Søren L. Lange, 1821

prints by søren l. lange in the statens museum for kunst colored etching

Christiansø. Seen from Græsholmen, Søren L. Lange, 1819

prints by søren l. lange in the statens museum for kunst colored etching

View of Sommerspiret in the chalk mountains on Møn, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

View of part of the chalk mountains on Møn, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

A view of Møn's chalk mountains, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

View of Helsingør, Kronborg and Øresund between the coasts of Zealand and Scania. The sign on the terrace in the hange at Marienlyst, Søren L. Lange, 1804

prints by søren l. lange in the statens museum for kunst colored etching

Randkleven by the beach in Østermarie parish on Bornholm, Søren L. Lange, 1820

prints by søren l. lange in the statens museum for kunst colored etching

View of Mr. Conference Council Classen's pleasure place outside Copenhagen's Østerport, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

A view at Liselund on Møen, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

Prospectus of the royal castle Frederiksborg on Zealand, Søren L. Lange, 1804

prints by søren l. lange in the statens museum for kunst colored etching

A chapel at Liselund on Møen, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

Perch mountain. A view on Møn, Søren L. Lange, 1821

prints by søren l. lange in the statens museum for kunst colored etching

A waterfall at Liselund on Møn, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

Christiansø. Seen from the west side, Søren L. Lange, 1819

prints by søren l. lange in the statens museum for kunst colored etching

View of part of the chalk mountains on Møn, called Dronningestolen, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

Christiansfeld, from the eastern side, Søren L. Lange, 1822

prints by søren l. lange in the statens museum for kunst colored etching

Waterfall at Liselund on Møn, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

Augustenborg Castle on the island of Als, Søren L. Lange, 1820

prints by søren l. lange in the statens museum for kunst colored etching

Hammershus on Bornholm. Seen from the north side, Søren L. Lange, 1819

prints by søren l. lange in the statens museum for kunst colored etching

A view of Møn's chalk mountains, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

Frederikskilde near Allborg, Søren L. Lange, 1822

prints by søren l. lange in the statens museum for kunst colored etching

Tranekær Castle on Langeland, Søren L. Lange, 1820

prints by søren l. lange in the statens museum for kunst colored etching

Odense on Funen, from the eastern side, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

The part of Møn's chalk mountains, which is called Sommerspiret, taken from the beach, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

Hammershus on Bornholm. Seen from the south side, Søren L. Lange, 1819

prints by søren l. lange in the statens museum for kunst colored etching

View of Præstø in Zealand, Søren L. Lange, 1805

prints by søren l. lange in the statens museum for kunst colored etching

View of a plot of land at Grønsund on Falster under the Classensk Agerdyrknings Institut, Søren L. Lange, 1804

prints by søren l. lange in the statens museum for kunst colored etching

Christiansfeld, from the western side, Søren L. Lange, 1822

prints by søren l. lange in the statens museum for kunst colored etching

Hvedholm in the area of Faaborg on Funen, Søren L. Lange, 1803

prints by søren l. lange in the statens museum for kunst colored etching

Daguerrotipo de una bailarina de la escuela bolera, hacia 1850, SB-0001 P

19th-century unidentified photographers marie guy-stephan

The Malermi Bible, vol. II, 15 October 1490

luca antonio giunta giovanni ragazzo

Kade aan een water in Yokohama met links de pianohandel van JG Doering Creek Side Yokohama (titel op object), RP-F-F01102-AF, ca. 1870 - ca. 1900

rivers of kanagawa prefecture history of yokohama

Domestick amusement: The lovely spinner, James Watson, 1764

james watson (engraver)jean-gaspard heilmann

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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